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Review added January 13, 2005.                         The X Files :: DVD Review  

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Studio: 20th Century Fox >> Review Equipment
Video: 2.35:1 (Enhanced for 16:9) Length: 118 Minutes
Audio: Dolby Digital 5.1 (384kbps) En Subtitles: Eng/Por/Heb/Cz/Sv/Nor/  
Video Format: PAL            Fin/Dan/Pol/Hu/Ice
Layer Change: 41:56 Disc Format: RSDL DVD-9
Average Bit-Rate (A+V): 6.34Mbps Disc Capacity Utilised: 6.88GB
  Region Coding: 2/4
     
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:: The Film ::

 
 

>> Skip to Audio/Video Details

In twenty years, I'm sure that sociologists will look back at The X-Files and the social phenomena surrounding the television series and movie with great interest. The X-Files managed to tap directly into the underlying paranoia and fin de siecle madness of the 1990s, turning what was previously restricted to the fringes of society into an integral component of '90s pop culture. That isn't to say that this sort of public paranoia is a phenomenon exclusive to the 1990s, but never before had it held such a prominent position within mainstream society.

The X-Files paints using an impressively broad canvas: huge all-encompassing global conspiracies, shadowy government agencies and purposeful alien invasions. Pitted against these monolithic foes are a few lone individuals striving to prevent the extinction of humankind, battling official indifference and disbelief (and hey, who can blame them: would you believe this stuff?).
 



Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) are FBI agents assigned to the 'X-Files': those FBI cases considered too 'out there' to warrant investigation by regular agents. Over the seven years of the television series, believer Mulder and disbeliever Scully have found themselves investigating everything from alien abductions and strange government experiments to bizarre human freaks.

In this, the first X-Files movie, we delve further into the series' underlying and long-running plot-line involving a planned alien invasion and the government cover-up of the existence of these aliens. Following a tip-off, Mulder and Scully begin investigating the deaths of several Texas firemen and a young boy whose bodies were found in a the rubble of an office block destroyed by a massive bomb. Fox and Scully soon discover that the bodies were planted to cover up the actual circumstances surrounding their deaths: exposure to an alien virus. As Scully and Mulder delve deeper into the case, they begin to uncover details of a shadowy government agency and a possible alien invasion. Said agency is somewhat concerned by the agents' digging, and attempts to prevent them from uncovering the truth.

Personally, I was confused about what I had actually seen at the film's conclusion, and I'm still not completely sure what the plot was about. There's no doubting that the film is a slick package, with a script that balances plot advancement for those familiar with the story and exposition for those new to the franchise, but just what the film's message was (or even if it had one, for that matter) I couldn't say. I found the film quite enjoyable, but I couldn't help but think the film was a modern version of smoke and mirrors, with very little actual substance.
 

  :: Video ::
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Presented in anamorphically-enhanced 2.35:1, this transfer comes to us from 20th Century Fox, and it's quite good but not without a few niggling problems. The print used for the transfer was in very good condition with only a handful of notable film artefacts to be seen throughout the entire film. Skin tones were stable if a little on the green side and colours were slightly subdued, while edge enhancement was used minimally and I was unable to detect any digital artefacts.

The image was quite film-like and lacked any noticeable grain or any aliasing/shimmer problems, but many scenes seemed a little soft: much softer than I recall the film looking theatrically. The entire transfer also seemed a hair too dark, with many sequences shot in full sunlight looking washed out; and there were some definite problems when it came to shadow detail: grays and blacks had an unfortunate tendency to blend together.

I have to admit the occasional softness and overall darkness were unexpected with a transfer of this age, and from a print in such good condition, losing it several points.
 

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  :: Audio ::
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The Dolby Digital 5.1 soundtrack on this disc is excellent. The front soundstage is wide and clear, containing numerous accurate and smooth audio pans and directional cues. The soundtrack's overall dynamic range is exemplary, and its fidelity excellent. The film's score is smooth and musical; high frequencies are clean and airy, while bass is deep and solid.

The surround channels are employed throughout the film to create convincing virtual acoustic environments, fully immersing the listener, and are used frequently for discrete split-surround effects. The LFE channel is used effectively and reinforces the front channels well, occasionally producing some spectacular bass. Bass in the main channels is authoritative but not boomy or slow, and dialogue is clear and easy to understand, with very little distortion. This is an excellent soundtrack.
 

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All material in this site copyright Adam Barratt

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