I didn't detect any use of edge enhancement or any digital compression artefacts, and the transfer was admirably free from film artefacts (apart from a few speckles, and some inexplicable flaws around the 103 minute mark, in which the top of some frames seem damaged). While this transfer isn't quite as sharp as the best I've seen, I have a feeling that this is more a matter of filming style than a problem with the transfer.

Unfortunately, things were not all positive; a few scenes looked a little soft, and grain occasionally made its presence known. Fine detail was also lost in some darker scenes, and I felt the transfer's contrast was sometimes a little high. However, none of these flaws were significant and the end result is still a very pleasant image, earning it four stars.
 

Despite the lack of an LFE channel, there is no shortage of bass, with both front channels containing deep bass to well below 30Hz. Only occasionally is the LFE channel's 10dB of additional headroom missed, most notably toward the end of the film during a spectacular scene involving a parked plane. The surround channels are used effectively throughout, containing numerous dramatic discrete split-surround effects, and fully immersing the listener. Dialogue remains clear and distinct at all times. This is a very nice soundtrack, with impressive dynamic range and overall fidelity, earning it four and a half stars. Recommended.