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Review added January 13, 2005.
The Nightmare Before Christmas
:: DVD Review |
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Studio:
Touchstone |
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>> Review
Equipment |
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Video:
1.66:1 (Enhanced for 16:9) |
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Length:
73
Minutes |
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Audio:
Dolby Digital 5.1 (384kbps) En/Fr/It |
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Subtitles: Eng/Fr/Por/Du |
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Video Format:
PAL |
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Disc Format:
DVD-5 |
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Layer Change:
N/A (DVD-5) |
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Disc Capacity Utilised:
3.99GB |
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Average Bit-Rate (A+V):
7.31Mbps |
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Region Coding:
2/4 |
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:: The Film
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>> Skip to
Audio/Video Details
I first saw The Nightmare Before
Christmas in 1996, and I wasn't quite sure what to make of
it. A stop-motion animated musical comedy? It was
so completely unique and inspired, I was transfixed. Tim
Burton, the man behind Beetlejuice, Edward Scissorhands and
Sleepy Hollow produced The Nightmare Before Christmas, and
his influence can be seen in every stop-motion animated
frame. The film is visually stunning, filled with
eye-popping images that deservedly won it a 1994 Academy
Award nomination for Best Visual Effects (losing,
unsurprisingly, to Spielberg's Jurassic Park).
Danny Elfman, long time Burton
collaborator, wrote the film's excellent score and the
lyrics for the film's many songs, which enhance the mood of
the film perfectly. Burton and Elfman's unique talents
combine to produce an impressive visual and musical tour de
force unlike anything seen before or since.
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Jack Skellington
(voiced by Chris Sarandon), pumpkin king and leading citizen
of Halloween Town returns from another successful Halloween
expedition feeling a little depressed.
Despite the accolades of his colleagues (witches, vampires
and other assorted ghouls), he feels something is missing
from his life, but he can't quite put his bony finger on
what it is. While walking through the forest contemplating
his mid-life crisis, Jack stumbles across a stange doorway,
which he finds leads to Christmas Town. Jack is so
overwhelmed and intrigued by Christmas Town and the concept
of Christmas, he decides to try it for himself. Jack
explains his idea to hijack Christmas to the residents of
Halloween Town, who throw themselves into the task with
great enthusiasm.
The only Halloween Town resident to voice
some concern about the idea is Sally (voiced by Catherine
O'Hara), the stitched creation of the town's resident mad
scientist, Dr. Finklestein (voiced by William Hickey). Sally
also happens to have fallen for Jack, something Jack has
completely failed to notice in his funk. As you can imagine,
the town's residents have some difficulty getting to grips
with the concept of Christmas, turning it into a twisted
version of Halloween; ghouls, goblins, spiders and all. Only
later does Jack realise what a mistake his idea was, and
that he must put things right. The Nightmare Before Christmas is a film
both young and old can enjoy: an entertaining, funny, and
visually spectacular twisted fairy tale. Highly recommended.
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Video
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This anamorphically-enhanced 1.66:1 image is excellent.
The transfer's first five minutes contain some noticeable
film artefacts, but following this it's smooth sailing.
Blacks are deep and solid without a hint of noise, and I
was unable to detect any use of edge enhancement. I was
also unable to detect any aliasing. Very impressive.
Colours are stunningly rendered and vibrant
throughout, while the picture is always clear, sharp and
unusually film-like in appearance. Minor problems included
occasional film artefacts and some noticeable gate jitter
at the 20 and 30 minute marks, lasting for a few seconds
at most. Very slight jitter is also visible at other
times, but only detectable with extremely close attention.
Although presented on a single-sided single-layer DVD-5,
the film's short duration allowed an average video
bit-rate of between 7 and 8Mbps, resulting in absolutely
no detectable digital artefacts.
On most televisions, this 1.66:1 transfer
will appear similar to 1.78:1 (due to overscan), but on
properly calibrated widescreen displays, small vertical
black bars will be visible on the left and right edges of
the frame.
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| :: Audio
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Despite being credited as Dolby Digital 5.1, there is no
information recorded in the LFE channel, making this a 5.0
soundtrack. This isn't a problem as an LFE channel is
unnecessary for a musical presentation of this type. The front
soundstage is broad and very clean, with the soundtrack's
frequent orchestral arrangements sounding smooth and natural.
High frequencies were clean without any harshness, and cymbals
and wind instruments had a natural 'airy' quality.
Dialogue is well recorded and always
easy to understand, albeit with some occasional sibilance.
Directional pans are frequently used, and the front three
channels integrate smoothly. Bass is solid and natural
sounding, if not particularly deep. The surround channels are
used rarely, although there are some notable instances of
discrete surround effects. The soundstage is very much
front-hemisphere oriented, which seems appropriate for a
musical. Certainly not a whizz-bang soundtrack, but very
nicely recorded and exceptionally clean. Nice.
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