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Review added January 13, 2005.      The Nightmare Before Christmas :: DVD Review  

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Studio: Touchstone >> Review Equipment
Video: 1.66:1 (Enhanced for 16:9) Length: 73 Minutes
Audio: Dolby Digital 5.1 (384kbps) En/Fr/It Subtitles: Eng/Fr/Por/Du  
Video Format: PAL Disc Format: DVD-5
Layer Change: N/A (DVD-5) Disc Capacity Utilised: 3.99GB
Average Bit-Rate (A+V): 7.31Mbps Region Coding: 2/4
     
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:: The Film ::

 
 

>> Skip to Audio/Video Details

I first saw The Nightmare Before Christmas in 1996, and I wasn't quite sure what to make of it. A stop-motion animated musical comedy? It was so completely unique and inspired, I was transfixed. Tim Burton, the man behind Beetlejuice, Edward Scissorhands and Sleepy Hollow produced The Nightmare Before Christmas, and his influence can be seen in every stop-motion animated frame. The film is visually stunning, filled with eye-popping images that deservedly won it a 1994 Academy Award nomination for Best Visual Effects (losing, unsurprisingly, to Spielberg's Jurassic Park).

Danny Elfman, long time Burton collaborator, wrote the film's excellent score and the lyrics for the film's many songs, which enhance the mood of the film perfectly. Burton and Elfman's unique talents combine to produce an impressive visual and musical tour de force unlike anything seen before or since. 
 



Jack Skellington (voiced by Chris Sarandon), pumpkin king and leading citizen of Halloween Town returns from another successful Halloween expedition feeling a little depressed. Despite the accolades of his colleagues (witches, vampires and other assorted ghouls), he feels something is missing from his life, but he can't quite put his bony finger on what it is. While walking through the forest contemplating his mid-life crisis, Jack stumbles across a stange doorway, which he finds leads to Christmas Town. Jack is so overwhelmed and intrigued by Christmas Town and the concept of Christmas, he decides to try it for himself. Jack explains his idea to hijack Christmas to the residents of Halloween Town, who throw themselves into the task with great enthusiasm.

The only Halloween Town resident to voice some concern about the idea is Sally (voiced by Catherine O'Hara), the stitched creation of the town's resident mad scientist, Dr. Finklestein (voiced by William Hickey). Sally also happens to have fallen for Jack, something Jack has completely failed to notice in his funk. As you can imagine, the town's residents have some difficulty getting to grips with the concept of Christmas, turning it into a twisted version of Halloween; ghouls, goblins, spiders and all. Only later does Jack realise what a mistake his idea was, and that he must put things right. The Nightmare Before Christmas is a film both young and old can enjoy: an entertaining, funny, and visually spectacular twisted fairy tale. Highly recommended.
 

  :: Video ::
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This anamorphically-enhanced 1.66:1 image is excellent. The transfer's first five minutes contain some noticeable film artefacts, but following this it's smooth sailing. Blacks are deep and solid without a hint of noise, and I was unable to detect any use of edge enhancement. I was also unable to detect any aliasing. Very impressive.

Colours are stunningly rendered and vibrant throughout, while the picture is always clear, sharp and unusually film-like in appearance. Minor problems included occasional film artefacts and some noticeable gate jitter at the 20 and 30 minute marks, lasting for a few seconds at most. Very slight jitter is also visible at other times, but only detectable with extremely close attention. Although presented on a single-sided single-layer DVD-5, the film's short duration allowed an average video bit-rate of between 7 and 8Mbps, resulting in absolutely no detectable digital artefacts.

On most televisions, this 1.66:1 transfer will appear similar to 1.78:1 (due to overscan), but on properly calibrated widescreen displays, small vertical black bars will be visible on the left and right edges of the frame.
 

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  :: Audio ::
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Despite being credited as Dolby Digital 5.1, there is no information recorded in the LFE channel, making this a 5.0 soundtrack. This isn't a problem as an LFE channel is unnecessary for a musical presentation of this type. The front soundstage is broad and very clean, with the soundtrack's frequent orchestral arrangements sounding smooth and natural. High frequencies were clean without any harshness, and cymbals and wind instruments had a natural 'airy' quality.

Dialogue is well recorded and always easy to understand, albeit with some occasional sibilance. Directional pans are frequently used, and the front three channels integrate smoothly. Bass is solid and natural sounding, if not particularly deep. The surround channels are used rarely, although there are some notable instances of discrete surround effects. The soundstage is very much front-hemisphere oriented, which seems appropriate for a musical. Certainly not a whizz-bang soundtrack, but very nicely recorded and exceptionally clean. Nice.
 

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All material in this site copyright Adam Barratt

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