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Review added January 13, 2005.                      Jurassic Park :: DVD Review  

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Studio: Universal >> Review Equipment
Video: 1.78:1 (Enhanced for 16:9) Length: 121 Minutes
Audio: Dolby Digital 5.1 (384kbps) En/De Subtitles: En/De/Pol/Bu/Cr/Cz/Hu/Ice/Hi
Dolby Digital 2.0 (192kbps) En/Hu Disc Format: RSDL DVD-9
Video Format: PAL Disc Capacity Utilised: X.XXGB
Layer Change: 75:12 Region Coding: 2/4  
Average Bit-Rate (A+V): X.XXMbps  
     
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:: The Film ::

 
 

>> Skip to Audio/Video Details

Anyone who was alive and living on planet Earth in 1993 has heard of Jurassic Park. The hysteria surrounding this film was quite remarkable, with dinosaurs becoming 'the' craze for several years following the film's release. Although not universally praised by critics, Jurassic Park struck a chord with audiences and eventually became the highest grossing film of all time up to that point.

Like the theme park it depicted, Jurassic Park was an entertaining ride that thrilled viewers with its state-of-the-art digital effects, appealing premise and solid direction. Jurassic Park also ushered in a new age of filmmaking, sealing the fate of conventional animatronic special effects. Following in the footsteps of 'Willow', 'The Abyss' and 'Terminator 2', Jurassic Park was the final nail in the coffin of traditional 'practical' special effects, rendering them obsolete overnight and paving the way for the digital effects extravaganzas that followed. Jurassic Park is an immensely entertaining piece of popcorn entertainment, and one whose arrival on DVD is long overdue. 



 
  :: Video ::
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As befits a flagship title such as Jurassic Park, this transfer is reference quality, and nearly flawless. Jurassic Park was always an extremely colourful film, and previous transfers on VHS and LaserDisc were often deliberately undersaturated to avoid colour bleed and excessive chroma noise, but this isn't the case here.

The DVD transfer carefully balances the fine line between deep saturation and oversaturation, and is much more vibrant than previous LaserDisc editions. Colours are stunning, positively jumping off the screen, but without a hint of colour bleed. The DVD is also very sharp, although the film itself contains many soft-focus and filtered sequences that preclude the transfer from being razor-sharp throughout. Sharper scenes look very detailed with an impressive level visible information: the computer-generated dinosaurs look superb, with amazing fine detail visible on their textured scales.

Film artefacts are never a problem, demonstrating the care this DVD release has been given, while black levels are exemplary, with deep inky blacks and very good shadow detail. Brightly lit interior scenes occasionally verge on blooming, but this is a creative choice on the part of the film's makers and present on theatrical release prints. Aliasing was never in evidence and there is only a hint of edge enhancement to be seen; this is impressive stuff. The only problems I could see were some very fine shimmer and film grain, although both are rare and of the 'blink and you'll miss it' variety. Unsurprisingly, there are no compression artefacts to be seen.
 

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  :: Audio ::
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Created under the watchful eye of the legendary Gary Rydstrom ('T2', 'Toy Story' 1 & 2, 'Saving Private Ryan', 'The Haunting') Jurassic Park was the first film presented in the DTS Digital Sound format back in 1993, and a true showcase of the potential of the new generation of digital 5.1-channel audio systems. For years, Jurassic Park has been used as demonstration material, first in Dolby Surround, then in DTS Digital Surround, then Dolby Digital.

Despite its age, this soundtrack still manages to impress, and is a true workout for any audio system. The main speakers are extremely active throughout the film, surrounding the listener with ambient and directional cues from all directions. Surround channel activity ranges from subtle background hum, rain and fauna to dramatic full volume discrete effects. The surround channels are also used to reproduce precise 360 degree directional cues, something that is still a rarity in movie soundtracks. Dialogue is very well recorded and always easy to understand, and although ADR dialogue is used throughout the film, always blends seamlessly with the front soundstage.

High frequencies are generally very clean, with the exception of some high frequency clipping on dialogue, although much of the clipping present on the previous Dolby Digital LaserDisc release appears to have been eliminated. Bass content is limited in the main effects channels, but plentiful from the LFE channel, often to below 30Hz. LFE bass isn't as deep or as loud as that found in more recent film, but contains enough bass to rattle doors and walls. Needless to say, dynamic range and overall fidelity are exemplary. This is a great soundtrack, and earns five stars.
 

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All material in this site copyright Adam Barratt

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