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Review added January 13, 2005.                Grosse Pointe Blank :: DVD Review  

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Studio: Hollywood Pictures >> Review Equipment
Video: 1.78:1 (Enhanced for 16:9) Length: 103 Minutes
Audio: Dolby Digital 5.1 (384kbps) En/Fr Subtitles: En/Por/Du
Dolby Digital 2.0 (192kbps) It Disc Format: DVD-5
Video Format: PAL Disc Capacity Utilised: 3.85GB    
Layer Change: NA Region Coding: 2/4
Average Bit-Rate (A+V): 5.20Mbps  
     
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:: The Film ::

 
 

>> Skip to Audio/Video Details

Grosse Pointe Blank is a quirky little comedy that I enjoyed immensely. Its unusual comic sensibilities may not go down well with everyone, being slightly darker than most, but the film offers more than a few laughs for those in a suitable frame of mind. John Cusack plays Martin Blank, a professional assassin-for-hire. Blank is having second thoughts about his career, and is seriously contemplating retiring. Through no fault of his own (and thanks in no small part to rival hit man and former colleague 'The Grocer', played by Dan Aykroyd), Blank's latest assignment goes awry, and his employers insist he take on a second assignment to make up for this 'failure'.

As luck would have it, the job they have in mind is in Blank's hometown of Grosse Pointe; and during the week of his ten-year high school reunion to boot. Ten years earlier, unknown to friends or family, Blank enlisted in the US Army, standing up high school love Debi Newberry (Minnie Driver) on prom night and vanishing without trace.
 



Understandably, Martin is a little wary about going to the reunion and explaining what he's been doing for the last ten years, but decides to attend anyway. To spice things up a bit, two NSA agents intent on 'retiring' Martin themselves and an assassin hired to kill Martin (following an unfortunate incident involving a millionaire's prized retriever and a stick of dynamite) have also converged on Grosse Pointe. The Grocer has also tagged along, hoping to persuade Martin to join his new professional assassins' union. Or kill him (this union has very strict policies against 'scab' labour). Martin's attempts to rekindle his relationship with Debi Newberry are greatly complicated by this crowd of unwanted guests, and the situation comes to a head over the course of the reunion and the following morning, when Martin's full history is revealed and his willingness to part with his profession tested.

The film's basic plot isn't really all that original, and the whole enterprise has the feel of a 'concept' comedy: variable animals to say the least. Despite this, the film works well, with dialogue, story and acting dovetailing nicely, although the end of the film seems slightly disjointed and tonally different to the rest of the film. Overall, this is an admirable effort from all involved. Recommended.
 

  :: Video ::
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This anamorphically-enhanced 1.85:1 (actually closer to 1.78:1) transfer comes to us from Hollywood Pictures, and is a solid effort. The print used for the transfer was fairly clean, with very few film artefacts. There are occasional hairs and speckles visible, but nothing that distracts from the picture's positive attributes. Colours were nicely saturated and I was unable to detect any edge enhancement.

The image is fairly sharp, looking smooth and detailed most of the time, with only some occasional aliasing, a few grainy scenes and a handful of very minor digital artefacts causing concern. Blacks are deep and solid, but shadow detail is poor. This results in a high contrast image, with on-screen information either well lit and clearly visible or darkly lit and murky, with very little middle ground. Contrast issues aside, this transfer is quite pleasing on the eye and earns a respectable four stars.
 

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  :: Audio ::
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This Dolby Digital 5.1 soundtrack is a strictly functional affair. There are no audio pans and the front channels contain little aside from music (mainly mid '80s pop), a few directional cues and some background ambient effects. The soundtrack contains little in the way of bass and sounds mildly compressed, while the overall soundstage is very much front hemisphere oriented with very little use of the surround channels.

When the surround channels are engaged, they are generally restricted to music and subtle background effects, although there were a handful of discrete surround effects. The LFE channel is used to support more dramatic scenes, but remains quiet most of the time; even when used, bass from the LFE channel isn't deep, but still manages to complement the front channels well.

Dialogue is clear and easy to understand, but several scenes suffer from noticeable pegging distortion. This is a perfectly acceptable soundtrack considering the nature of the film, but certainly won't test the capabilities of your audio system. Three and a half stars.
 

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All material in this site copyright Adam Barratt

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