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Review added January 13, 2005.                      Crimson Tide :: DVD Review  

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Studio: Touchstone >> Review Equipment
Video: 2.35:1 (Enhanced for 16:9) Length: 111 Minutes
Audio: Dolby Digital 5.1 (384kbps) En Subtitles: En/Por/Fr/Du
Dolby Digital 2.0 (192kbps) Fr/It Disc Format: DVD-5
Video Format: PAL Disc Capacity Utilised: 4.14GB
Layer Change: NA Region Coding: 2/4
Average Bit-Rate (A+V): 5.00Mbps  
     
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:: The Film ::

 
 

>> Skip to Audio/Video Details

I've always found the existence of Crimson Tide an inexplicable mystery: a sort of Hollywood aberration. The film's director, Tony Scott, was responsible for Top Gun, Beverly Hills Cop 2 and The Last Boy Scout, while the film's producers, Don Simpson and Jerry Bruckheimer, claim Bad Boys, The Rock, Armageddon, Con Air and Flashdance among their previous works.

This roll-call certainly wouldn't lead one to expect a taught, well-paced thriller complete with snappy dialogue and outstanding acting from this assemblage of film-makers, but that's what we get nonetheless. Russian rebels, led by ultra-nationalist Vladimir Radchenko, have seized control of a nuclear missile base in the former Soviet Union and threaten to launch a nuclear strike against the United States.




Naturally alarmed, the US Navy orders the deployment of the nuclear submarine USS Alabama. The Alabama is commanded by hard-nosed Captain Frank Ramsey (Gene Hackman), a career submariner and one of the navy's few active-duty officers to have seen combat. Executive Officer Lieutenant Ron Hunter (Denzel Washington) is new to the Alabama, and one of the navy's 'new breed' of officers: as comfortable discussing the finer points of philosophical theory as military tactics. Hunter is on his first deployment with Captain Ramsey and the tension between the two is apparent from their first meeting. Shortly after the submarine's departure, orders are received to prepare for a pre-emptive nuclear strike against the rebel-held base.

While engaged in these preparations, the Alabama begins to receive a second message from submarine command; at the same time the Alabama is attacked by a Russian submarine under the control of pro-Radchenko forces. Although the Alabama survives the attack, all communication with the outside world is severed, cutting short the incoming message. Ramsey insists that the orders in hand must be followed and the incomplete message fragment ignored, while Hunter insists they wait until the submarine's communication system is restored and their new orders confirmed. In the face of Ramsey's refusal to wait, Hunter assumes command of the sub, confining Ramsey to his quarters. This effectively splits the crew into two camps.

What follows is a testosterone-charged conflict to gain control of the submarine and its nuclear missiles, with nothing less than nuclear annihilation at stake. Hackman and Washington are superb, producing some of the best work of their careers, while the story races along a heart-stopping pace and doesn't let up for a moment, creating an extraordinary level of tension. If you're looking for a compelling and visually stylish thriller, look no further. Recommended.
 

  :: Video ::
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This disc's 2.35:1 anamorphically-enhanced transfer comes to us from Touchstone, and it's very good overall, with one rather major caveat. The print used for this transfer is pristine with only a handful of minor film artefacts visible. Skin tones are stable at all times and colour saturation is excellent; the film's intense reds, greens and blues come across with dazzling saturation and no colour bleed. Blacks are deep and solid without any blocking or noise, and the image is nicely sharp most of the time, with only a few scenes seeming slightly soft.

There are some occasional aliasing problems and image shimmer at the 11.29 and 33 minute marks, and some minor use of edge enhancement, but not to the point of distraction, while shadow detail wasn't quite as good as I had hoped for, but still fairly good. The transfer's positive attributes suggest a near reference quality image, and it would be were it not for one major problem: artefacting. This transfer is absolutely packed with distracting digital compression artefacts. Nearly all low-light scenes involving movement suffer from ghosting. A particularly bad example of this problem can be found at 6.58 as Hunter's arm moves across the screen, but the problem is visible throughout the transfer. This leaves me with a quandary: the transfer is excellent overall but with a serious flaw. In light of its positive qualities I give it three and a half stars. Considering the good things I had heard about this transfer, I can only express my disappointment with the poor compression of this disc.
 

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  :: Audio ::
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This Dolby Digital 5.1 soundtrack is excellent. All channels are extremely active, with a great deal of surround channel activity and house-shaking levels of deep, clean bass. Much of the film takes place within the confines of a submarine, and background mechanical noises are heard from all channels, while the LFE channel produces a constant low-level rumble, occasionally coming to life to support explosions and other dramatic effects.

The front channels are smoothly integrated, and dialogue is always clear, although sometimes slightly harsh (as at 49.56). The film's score is nicely recorded and spreads widely across the front soundstage, but doesn't travel to the surround channels particularly often. Sound localisation is admirably precise and the front channels contain a great deal of deep bass, while the surround channels contain numerous discrete split-surround effects. This soundtrack is sure to please, earning four and a half stars. 
 

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