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Review added January 13, 2005.                        Braveheart :: DVD Review  

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Studio: 20th Century Fox >> Review Equipment
Video: 2.35:1 (Enhanced for 16:9) Length: 170 Minutes
Audio: Dolby Digital 5.1 (384kbps) Eng Subtitles: En/Por/Du
Video Format: PAL Disc Format: RSDL DVD-9        
Layer Change: 99:32 Disc Capacity Utilised: 6.70GB
Average Bit-Rate (A+V): 5.29Mbps Region Coding: 2/4
     
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:: The Film ::

 
 

>> Skip to Audio/Video Details

Based (very) loosely on the life of legendary Scottish figure William Wallace, Braveheart was one of 1995's biggest critical and box-office successes, netting a grand total of five Academy Awards, including Best Picture and Best Director. A rousing epic of the variety rarely produced since the 1960s, Braveheart is filled with eye-popping vistas of Scotland and massive (and bloody) battles. A visually stunning presentation, Braveheart also features excellent performances all around and a compelling story of love and betrayal.

Following the brutal murder of his wife by an English nobleman, William Wallace (Mel Gibson) leads an uprising against the forces of English King Edward the Longshanks in his native Scotland. Historically inaccurate, Braveheart should be treated as entertainment, not as as historical document; when treated as such, however, it is sure to entertain. A small note of warning, Braveheart contains some fairly graphic violence, and is certainly not for the weak of stomach.



 

  :: Video ::
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Courtesy of 20th Century Fox this disc has received an exceptionally good anamorphically enhanced 2.35:1 transfer. Only a few minor quibbles prevent it from attaining reference quality status, but it's a close call. The image on display here is extremely sharp, with significant fine detail present on screen. Despite this sharpness, there is no edge enhancement to be seen, and the picture remains smooth and film-like at all times; only during a handful of shots does the image lose its razor sharp edge, and only briefly at that.

Despite the film's relative youth, the print used for this transfer was surprisingly noisy, and minor film artefacts are present sporadically throughout the film, although never to the point of distraction. Aside from these minor quibbles, all other aspects of this transfer are exemplary. Shadow detail is very good, with ample fine detail present in darker nighttime scenes and murky interior shots. Colour saturation is exceptional: the film's many subdued landscapes look stunning, and the actors' skin tones natural and accurate. Aliasing is almost completely absent, and the only instances of shimmer I could detect were in two brief shots of a soldier's suit of armour.

There were absolutely no digital compression artefacts to be seen, which is most impressive when taking the film's length into account. This is an excellent transfer, and only minor flaws prevent me from giving it five stars (and only just, I might add). Considering the overall quality of this transfer, I would be surprised if anyone were to express disappointment with the picture presented on this disc.
 

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  :: Audio ::
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When released on LaserDisc, Braveheart's Dolby Digital soundtrack was frequently used to demonstrate the format's immersive capabilities, containing several impressive and subtly enveloping audio sequences. The soundtrack continues to impress in this respect, as does its superior fidelity. Like those of 'Dances With Wolves' and 'Pleasantville', Braveheart's soundtrack is remarkably clean: the low-level distortion, sibilance and dialogue pegging so common in many recent efforts is completely absent here, and most welcome.

Dialogue is impressively clear and easy to understand, with no obvious ADR inserts. The front soundstage is wide, containing numerous smooth audio pans and directional cues, as well as an impressively recorded score. The surround channels are used somewhat sparingly, but are exceptionally well integrated with the front channels when utilised, containing subtle ambient effects such as wind, rain and birdcalls that significantly enhance the viewing experience of the film.

The surround channels are also used to support the front channels during several of the film's more dramatic sequences, with the sounds of clashing metal and flying arrows fully surrounding the listener during the film's spectacular battle scenes. The LFE channel is used frequently, and is impressively deep, containing powerful yet well controlled sub-bass reinforcement of the main channels. This is a superb soundtrack.
 

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